Wow, this year December has turned out to be very low on posts. I’ve been trying to update twice a week, but I didn’t pull it off this month. I was in Florida visiting family for more than half the month, and blogging just didn’t happen.
While not blogging, I’ve been thinking a bit about how this 2012 went. I came up with two main conclusions.
It was a good year for AllSet Learning.
Again, I have to thank the exceptional bunch of people that have entrusted us to help them learn Chinese here in Shanghai. Our clients are our investors, and thanks to them, we’re going strong.
In 2012 AllSet Learning launched the Chinese Grammar Wiki, which has more than doubled in number of articles while quality of articles rises across the board (more on this later). We also released the AllSet Learning Pinyin iPad app in the first half of the year and the Chinese Picture Book Reader iPad app in the second half. Both are doing well, and I’m just so pleased to be making my designs a reality.
We’ve also had some more awesome interns, a trend which looks to be continuing into 2013. (Thanks, guys!)
It was a bad year for staying in China.
I’ve remained silent on the news buzz about Mark Kitto et al because I don’t really think it’s that much of a story. But the disturbing thing about it all is that this year a surprisingly large proportion of my close friends in Shanghai have either left or announced plans to leave.
It’s not that I expected everyone to stay in Shanghai forever. I always tell people that I’ll be in China as long as it makes sense, and due to the particular career path I’ve chosen, it makes sense for me to stay around longer than perhaps a lot of my friends that have taken up residency here. But it still seems a little strange that so many friends would decide to leave all around the time. I suspect that the “10 year mark” has something to do with it. We humans do tend to attach importance to that number.
The latest to leave Shanghai is Brad Ferguson, of the website BradF.com, which has long since ceased to be his domain, but it’s how I originally got in touch with Brad. He helped me move into my first apartment in Shanghai the first time we met, which I think was a pretty good sign that he was a decent guy.
Brad did one thing before leaving which I thought was quite interesting. He got a Chinese character tattoo. Seems like most of the time the ones getting Chinese character tattoos are white people that have never set foot in Asia, and oftentimes end up inking questionable symbols on their bodies. Brad, however, got a pretty cool Chinese poem tattooed on his arm:
Not sure exactly about the meaning of a white guy getting such a tattoo on his arm as he leaves China, but it makes me think.
At some point or another, many learners of Chinese here in China get the brilliant idea to buy Chinese children’s picture books and use them to learn Chinese. Genius, right? It’s got pictures, it’s for kids (so it’s gotta be simple), and it’s a story! What could go wrong, right?
You see, at the really low levels, China’s children’s books contain big, clear, colorful pictures, characters with pinyin, and sometimes even English. While these can be nice, they’re essentially pictorial flash cards in book form. If that’s what you’re looking for, they’re great, but they’re not stories.
As soon as you jump from “vocabulary books” to “story books,” however, something magical happens. “Magical” in the “holy crap, I’ve been studying Chinese for over two years and I can hardly read any of this book written for a 6-year-old” sense. One definitely gets the impression that these books are written not for the enjoyment of the young reader, but rather as the embodiment of the discovery that, “if we put pictures in these books, maybe we can trick even little kids into studying more characters and vocabulary in their free time.”
End results: (1) they’re way too hard for the typical Chinese learner, and (2) they’re not actually that interesting either.
One could be forgiven for thinking that maybe story books in electronic format are better. Sadly, they’re usually not. There are bilingual story books on the iPad, but most of them seem designed with the idea that either you want to read/listen to the story in English or in Chinese, but never both. As a result you have to start the whole story over if you want to switch languages. (And you may not even get pinyin, or have no option to hide it.) Not very learner-friendly.
Oh, and even on the iPad, there’s way too much of the 成语故事 (4-character idiom stories) mentality going on. In other words, “Oh, you want to learn Chinese through stories? OK, but only if the whole point is to memorize an obscure idiom. None of this time-wasting ‘using the language for your own enjoyment’ nonsense.”
But I’m writing this post not just to complain about a lack of stories. I’m writing to report that I actually did something about it. I created an app that houses interesting stories. Not “slight variation of the status quo” stories, but something radically different. I mean, one of the stories literally takes place in a post-apocalyptic steam punk world. With cyborg dinosaurs. And it was drawn and co-created by a local Chinese artist. (Ssshhh, don’t tell him that the Chinese are not known for their creativity.)
I think I did this partly to prove to myself that it could be done. (It turns out the Chinese language itself is not averse to fresh new story settings.) But also, this industry needs to break out of its 5,000-year-old mold and recognize that modern learners want more options. Sure, maybe “post-apocalyptic steam punk (with dinosaurs)” is not exactly the rallying cry of bored students of Chinese across the world, but this is a start.
So even if “post-apocalyptic steam punk (with dinosaurs)” isn’t your thing, even if “cute dogs causing chaos in the park” isn’t your thing, even if “the thoughts, voices and handwriting of modern Chinese college kids” isn’t your thing, I would at least hope that more interesting options for studying Chineseis your thing. And for that reason, I ask you to please try out the new Chinese Picture Book Reader for the iPad. (The app is free.)
“No sugar” or “sugar-free” in Chinese is 无糖. The character 无, in its simplified form (not 無), is not particularly difficult to write. It’s barely more complex than “#.” The character for “sugar,” however, is a different story: 糖. Kind of complex.
So if you’re working in a coffee shop and have to quickly mark coffee cups with a label that means “no sugar,” what are you going to use? Are you going to bother to write 无糖 over and over? Here’s what an employee at Knight Coffee writes:
So “无t” instead of “无糖.” (You can often see similar things going on if you can get a peek at the way that restaurant servers write down food orders by hand.)
Modern Chinese people grow up being equally familiar with the Latin alphabet and Chinese characters. Writing by hand is becoming less and important, and writing characters is sometimes seen as a burden. Typing on a computer can make it easier to type out complex characters (because you’re not actually writing out all the strokes anymore), and yet young Chinese people on the internet are mixing the Latin alphabet into Chinese quite liberally.
It does make you wonder how quickly we’re going to start seeing fundamental changes to the way Chinese people write. All languages change over time, although the written language often resists change much longer. But there’s a new catalyst in the equation this time: the internet.
As most of us in China know, fortune cookies are not a Chinese thing. They’re an American thing. ChinesePod just recently did a lesson on American Chinese Food, and user he2xu4 linked to this TED talk which gives more detail on the issue: Jennifer 8. Lee hunts for General Tso. (ChinesePod also once did a lesson on the fact that you can’t get fortune cookies in China.)
The thing is, it looks like now you can get fortune cookies in China. I took this photo in my local Carrefour supermarket:
OK, so it was in the “imported foods” section (they seem to be from Japan), but the packaging is in simplified Chinese. They come in two flavors: “cream” and “chocolate.” It says on the package: 装密语签语饼干, which means something like “Secret-containing Fortune Cookies.”
Probably the best thing about these fortune cookies, though, is that they feature Pac-Man. The Japanese may have had the invention of fortune cookies stolen by the Chinese in the United States, but at least as they introduce fortune cookies to mainland China they’re sneaking Japan’s home-grown video game icon into the mix!
I’ve spent a nice chunk of my career on Chinese grammar, whether it’s explaining grammar structures in ChinesePod podcasts, working on the Chinese Grammar Wiki, or helping individual AllSet Learning clients. And two things that have become clearer and clearer to me are:
1. There are certain things that all learners struggle with at different stages of acquisition of Mandarin Chinese (this is consistent with the SLA concept of “order of acquisition”)
2. Most learners have no idea what to expect when it comes to the grammatical challenges that they’ll be up against (which can often make learners feel stupid for “just not getting it” immediately, not realizing that they’re struggling with something that all learners of Chinese struggle with)
To make a comparison with Spanish, most learners know from the beginning that they’re going to have to learn a bunch of verb conjugations for different tenses, gradually increasing in complexity over time. And beyond that, the subjunctive awaits. [Cue scary Spanish music]
OK, but what about Chinese? Many learners start with the patently false notion that “Chinese doesn’t really have grammar” or that “Chinese grammar is basically the same as English.” So they’re in for a fun little surprise there. This misconception doesn’t stand up long.
But beyond that, what is a learner to expect? The good news is that although different from English grammar, Chinese grammar isn’t horribly difficult. There are a few difficult points that deserve special attention, though, and I’ve created a new page on Sinosplice to point them out: Chinese Grammar Hurdles. The page is a rather simple list, but each point links to pages on the Chinese Grammar Wiki which have in-depth explanation (or will soon).
A few additional notes for beginners:
* Chinese word order isn’t the same as English word order. Sure, you can think of examples in which the word order is exactly the same. “I love you” = 我爱你, etc. But don’t expect that to hold true quite so neatly as you start adding in times, places, adverbs, etc.
* Particles are something new. Some of them, like 吗 and 吧, aren’t too difficult to get the hang of. Others, like 了, will actually take a long time to get a handle on. But that’s OK… you learn the different uses of 了 over time, and eventually it starts to gel, even if the accumulated understanding is not easily verbalized.
* Measure words are also something new, but they don’t need much attention at first. This is because you can actually get by for quite a while using the general-purpose measure word 个. So if your Chinese teacher is totally drilling you on all kinds of measure words when you just started studying Chinese, something is wrong. Learn the mechanics with 个, but focus on language more central to basic communication before focusing on expanding your measure word vocabulary.
Good luck in your studies of Chinese grammar! Although some things feel weird and arbitrary (as with any foreign language), Chinese grammar also has a strong thread of logic running through it that you’ll start to appreciate the deeper you get. For many learners, it’s a source of great satisfaction. Hopefully knowing what to expect with Chinese grammar will help you stick with it for the long haul.
Over the weekend I joined the CIEE Conference in Shanghai. It struck me as a mini-ACTFL (but in town!), focused on study abroad. I was part of a panel discussion on “Effective Use of the New Digital Chinese Language Technology,” chaired by David Moser and also joined by Brendan O’Kane.
To sum up our initial points (and apologies if I get any of these wrong), what we said was:
– David Moser: Chinese used to be a huge pain because looking up words was so difficult, but now, thanks to technology a lot of the pain is gone
– Me: Technology is not inherently useful, but there is now great potential for a new, student-led way of learning enabled by technology
– Brendan O’Kane: both the level of students entering Chinese translation classes and the quality of Chinese reference materials are going up, but there are still some fundamental reading/parsing issues that need special attention
Fielding questions from teachers and program directors, some of the issues that struck me were:
1. It’s not at all clear what resources are most useful to teachers (even ones like Pleco that have been around for quite a while and have a good name in the space) and which ones they can use
2. Even if teachers are willing to use new tools to find interesting, up-to-date material for their students, they don’t feel well-equipped to do so in anything resembling a systematic manner
3. What technology is here to stay, and what is just a passing fad? It’s hard to say. I don’t blame some of the teachers for wanting to just wait until the dust settles.
There are so many opportunities for innovation in this space right now…
Annie and the Shanghai Veggie Club have created a new video alerting vegetarians to some of the challenges you’ll face trying to eat vegetarian in China. It includes the language you’ll need to ask for what you really want:
(Yes, I know, for a vegan-friendly club, you’d expect a video with less cheese!)
We’ve been doing some video clip dubbing experiments for fun on the AllSet Learning YouTube page. We started with Downton Abbey, and did Dracula for Halloween. That one was a bit on the discouraging side (although what can you really expect from Dracula?), so we decided to do a much more upbeat one. The result is this classic clip from Animal House dubbed to be about learning Chinese.
Our intern Jack has been doing a good job and having a good time with this little experiment. He’s the “student” in the Dracula clip, and he conceived the Animal House clip (although our AllSet Learning teachers recorded that one). Good job, Jack!
Are clips like this useful as study material? Probably not, but if they give you a smile and get you listening to a bit more Chinese, they’re worth it. For sure, the ones learning the most are Jack the intern and our teachers. It gets them thinking about the limitations of certain forms of media, tradeoffs in production resources, and creativity applied to pedagogy. It’s a worthwhile investment for us as a company. (BTW, we post all our new videos to our Facebook page as well.)
– Learning a language is like learning a musical instrument. “Commitment is way more important than natural talent, which simply doesn’t exist for getting the basics and even a pretty good idea of both music and languages. It’s actually just an excuse used by those who both can’t and don’t really want to put real work in.”
– Learning a language is like losing weight. “You know how to do it, really. There are billions of dollars spent every year on products that claim to make weight loss and language learning fast, easy, and painless. But they’re all variations on the same theme. To lose weight, diet and exercise. To learn a language, study and practice. There aren’t any shortcuts.”
– Learning a language is like learning to dance. “Yes, learners who do not like to perform (such as in role plays) and are reserved, quiet, and not eager to interact with others are disadvantaged when it comes to language learning.”
– Learning a language is like learning a sport. “…One of the great lessons of my childhood was that no one has the right to be naturally good at anything. More there’s a particular pleasure that comes from becoming good at something which you kind of naturally sucked at.”
– Learning a language is like running a marathon. “You don’t wake up one day and think: ‘Dude, I’m totally going to run the marathon of Los Angeles today.’ No, running a marathon or any significant distance requires practice and a healthy lifestyle.”
– Learning a language is like peeing. “You always pee less than you drank: input and passive vocab will always outstrip output and active vocab. Input precedes and exceeds output. Never expect to drink a liter and pee out a liter.”
– Learning a language is like playing Soul Calibur. “The same goes for input – that is, blocking against incoming strings of attacks. At first it seemed chaotic, and I didn’t know whether the blows would be high, low, or come from the side. Soon the chaos become patterns; now at the beginning of an attack I know exactly what is coming. I can anticipate the incoming chunk of actions, and only need to consciously react to the minor details – just like French.”
I’d like to call attention to a relatively new blog on learning Chinese by Furio from Italy. It’s called Sapore di Cina (“Flavor of China” in Italian), and the author has a lot of good ideas (in English). A lot of his recommendations are the types of things I tell learners as well, so if you like Sinosplice’s entries on learning Chinese, there’s a good chance you’ll like Furio’s blog.
Recently Furio published ChinesePod Review – An alternative way to learn Chinese. I won’t deny that it’s a complimentary review of ChinesePod in general (and me in particular), but one of the good things about this review is the Furio calls attention to some of the more effective (and economical) ways to get the most out of ChinesePod.
I’ve always found it a bit tricky at first to talk about holidays in Chinese. The Chinese holidays involve these things that we just don’t have, so it’s not a matter of translation, it’s a matter learning what these things are and what they’re called. 红包, 粽子, 对联, 扫墓, etc. Fortunately, that’s a pretty interesting learning process most of the time (especially if you’re learning the stuff hands-on in China), so all is well and good there.
And then there’s explaining the western holidays to the Chinese. Sure, the Chinese already know a lot about western holidays, so frequently all you have to do is fill in a few of the gaps. The fun part of figuring out where the gaps are, and what misperceptions there are. I’ve always enjoyed this too.
Halloween (万圣节) seems to bring a few of its own challenges, however. The concept is easy for the Chinese to get: it’s a 鬼节 (a “ghost festival”). It’s the trivial things that tend to pose challenges here. How would you say the following in Chinese?
– What are you going to be for Halloween?
– Don’t forget to wear a costume.
– Why didn’t you dress up?
The concept of “Halloween costume” does not seem to have standard translations, and you can get different answers from different people. I’ve been down this road before, and it can get a little confusing. The key is to focus on the verb for “dress up” rather than on the noun “costume.” Here is some of the language I hear Halloween-happy Chinese young people using:
– 你要穿什么？ This one is a little vague, because it just asks “what are you going to wear,” which might apply to any party.
– 你要扮什么？ This one gets more into the costume/disguise theme, sort of like asking, “what are you going to dress up as?”
– 别忘了装扮自己。 Here we see the verb 装扮, which is probably the most appropriate verb for dressing up for some role, although it seems a little overly specific for everyday usage. But it literally means, “don’t forget to disguise yourself.”
The 扮 in 装扮 (“to disguise oneself”) is not the same one as in the phrase 怎么办; it’s the 扮 from 打扮, which is most often used to mean “make oneself up” or “deck oneself out” (for a night on the town). Or you fans of role-play might also know it as the 扮 from 扮演, meaning “to play a role.” (Indeed, the formal Chinese translation for “role-playing game” is even 角色扮演游戏.)
One thing is for sure: Halloween parties are a great occasion to learn obscure vocabulary! I leave you with a last question (in 2 flavors), which very well might come in handy if the Halloween parties you attend are anything like the ones I’ve attended in China:
– 你扮的是什么？ “What are you dressed up as?”
– 你这是什么装扮？ “What are you supposed to be?”
One of my teachers at AllSet Learning is doing his masters thesis on online resources for learning Chinese, and naturally, he was intrigued by what we’ve built so far at the Chinese Grammar Wiki. So he decided to research the topic and help us out at the same time by doing a learner questionnaire.
Sinosplice readers, we could really use your help! It should only take a few minutes. The questions are easy.
Long-time readers of this blog know that I’m a fan of creativity centered on characters. I recently discovered these signs browsing photos on WeChat. (I’ll post the Chinese characters below the photos if you want to give yourself the challenge of reading them on your own.)
The characters on the sign above are: 时光机 (“time machine”).
The characters on the two signs above are: 锅炉房 (“boiler room”).
This is one of those blog posts where I take two seemingly very different topics and connect them to China or Chinese. This time it’s about Pascal’s Triangle, one of my favorite mathematical concepts. In case you’re unfamiliar with Pascal’s Triangle, here are some images from Wikimedia Commons that nicely illustrate the principle:
> The set of numbers that form Pascal’s triangle were known before Pascal. However, Pascal developed many uses of it and was the first one to organize all the information together in his treatise, Traité du triangle arithmétique (1653). The numbers originally arose from Hindu studies of combinatorics and binomial numbers and the Greeks’ study of figurate numbers.
> In 13th century, Yang Hui [杨辉] (1238–1298) presented the arithmetic triangle that is the same as Pascal’s triangle. Pascal’s triangle is called Yang Hui’s triangle in China. The “Yang Hui’s triangle” was known in China in the early 11th century by the Chinese mathematician Jia Xian [贾宪] (1010–1070).
Yang Hui’s diagram contains some interesting-looking numbers. Check it out:
Compare that to Pascal’s triangle above. What’s up with these Chinese numbers? You can follow the upper-right to lower-left diagonal (one row in) to follow the numbers 1-8. You get this:
5. [no Unicode symbol for this one; it’s just 亖 + 一 (vertical)]
8. [no Unicode symbol for this one; it’s just ᅵ + 三 (horizontal)]
You can gather that 10 is 으 [a symbol I borrowed from Korean Hangul for the purposes of this post], which also looks like “10” turned sideways. 20, though, is 〇二 [except with the 〇 sitting on top of the 二], and so on.
There’s another personal connection between me and Pascal’s Triangle. As part of my research for AllSet Learning, I make use of basic set theory and higher-level Venn diagrams. Considering that in a Venn diagram, by definition, all possible logical relations between sets must be represented, it can get quite tricky to draw these things when you delve into Venn diagrams with higher numbers of sets (more than 3). But how do you know how many overlapping regions there are in the Venn diagrams as the numbers of sets increase? Pascal’s triangle.
(BTW, some of the research we’re doing now at AllSet Learning could make use of interns with a foundation in statistics, mathematics, or computer science. If that’s you, get in touch! More on AllSet Learning’s interns here.)
The U.S. Consulate in Shanghai is helping U.S. citizens mail their ballots back to meet the state deadlines:
> Returning your ballot by mail. Place your voted ballot in a U.S. postage-paid envelope containing the address of your local election officials. Drop it off at the Consulate and we’ll send it back home for you without the need to pay international postage. If you can’t visit the Consulate in person, ask a friend or colleague drop it off for you. If it’s easier for you to use China’s postal system, be sure to affix sufficient international postage, and allow sufficient time for international mail delivery. If time is tight, you may want to use a private courier service (e.g., FedEx, UPS, or DHL) to meet your state’s ballot receipt deadline.
> You can submit your ballot to us to be delivered by diplomatic pouch at the entrance to the consular section at the 8th Floor, Westgate Mall, 1038 Nanjing West Road, between the hours of 8:30am and 5pm on weekdays. Your ballot must be sealed in the security envelope and mailing envelope. However, since it takes up to three weeks to send mail to the U.S. via our diplomatic pouch, we recommend you drop off your ballot of no later than next Tuesday, October 16. After that time, we recommend you use an express private courier service such as the ones mentioned above to ensure your ballot arrives on time.
Email source: “Message for U.S. Citizens: Completing and Returning Absentee Ballots” from ShanghaiACS@state.gov
> If you find that street maps are shifted after upgrading to iOS6, check the settings in the Help tab. Choose “Enable shift” if you use AutoNavi-powered maps for China-purchased devices, choose “Disable shift” if you use TomTom-powered maps for international-purchased devices.
Huh? What’s going on here?
I’m no expert on this issue, but essentially, the Chinese government is paranoid about the use of GPS, and screws with it. This affects Google Maps, it affects camera GPS, and it even affects runners’ watches. It’s been going on for years. Chinese companies with government approval (like TomTom) can get their services/devices working properly, but foreign devices which try to rely on good old-fashioned “satellite positioning” and maps lose out, and have to build in a “shift correction” feature if they want their apps’ GPS positioning to work properly.
It’s really sad to see the government continuing this charade in all its forms. It doesn’t work. When developers don’t solve the issue directly, there are workarounds to the map issue for pretty much any device, if you really dig. It’s just a huge pain in the GPS.
As Mid-Autumn Moon Festival (中秋节) approaches (this year it’s September 30th), there is a lot of mooncake buying going on in Shanghai. It’s still a tradition to buy mooncakes (月饼), and although some people like them, a lot of the mooncake purchases are for clients, employees, etc. But exactly what the mooncakes are is changing quite a bit, and some of the new forms (like Haagen Dazs’s) have a bit more hope of appealing to younger palates. The traditional recipes are getting cast by the wayside more and more, it seems, as modern corporations muscle in on the holiday market.
Over the past month, I’ve taken various snapshots of the current state of mooncake commercialism.
Just to be clear, we can see the type of traditional mooncake that young Chinese people don’t like much anymore in this Christine ad:
The demand is still fairly strong, and there have been mooncake lines going around Shanghai’s Jing’an Temple for at least a month. But you’ll notice that most of the people buying them are middle-aged or older.
Here’s a Hong Kong mooncake trying to do a more modern take:
Haagen Dazs seems to be championing the idea, “if people are going to keep buying mooncakes, let’s give them tasty, pricey alternatives.” And it’s the most visible “traditional mooncake alternative” this year:
I’m really expecting traditional mooncakes to become something of a rarity over the next 20 years.
I got a great tip from my friend Will Stevenson yesterday. Apparently iOS6 not only added text-to-speech support for new languages, but also enabled the ability to recognize and read out Chinese, even when the phone is in English language mode, and even when the text is a mix of Chinese and English.
What it is
Here’s an example of “Speak” enabled for a Chinese spam text:
Here’s an example of “Speak” for a note which includes both English and Chinese (I’m not sure why there’s a choice of reading in either 中文 or English; either one does the same thing):
For text messages, iOS treats each SMS text as one big block of text, and it won’t highlight individual words as it reads them (even though it reads them all). For other types of text, though, in apps like the Notes app, it will highlight each character as it reads it out:
[Side note: here’s what the note was about. I took notice of it because it’s a fairly rare example of mixing simplified and traditional Chinese characters in print. It was done to put the 心 (heart) back into the character for love, since the simplified version 爱 quite literally takes the “heart” (心) out of (traditional) “love” (愛).]
How to enable it
Anyway, since you’re likely here to get your iOS6 device speaking Chinese, here’s how you do it.
First, go to Settings > General > Accessibility (Accessibility is near the bottom of all the stuff in “General.” Just a little hard to find. Naturally.)
Right at the top, you’ll see an Accessibility section called “Vision.” There you’ll see an item called “Speak Selection.” Touch on that. On the next screen, turn it ON. You can also turn no “Highlight Words” here too (why not?). You probably don’t want to mess with the speaking rate. It gets way too fast pretty quickly.
Here’s the really cool thing, though. There’s a “Dialects” section. (And no, I’m not going into the “what is a dialect, really? discussion here!) In there, you can not only choose the dialect for English and other languages, but also for Chinese! At the bottom of the “Dialects” section, under 中文, you can choose mainland Mandarin (中国), Cantonese (廣東話), and Taiwanese Mandarin (台灣). Not sure why they chose two regions and a language/dialect/topolect as the choices. But anyway, fun stuff!
What it means
Why does this matter? Well, my friend Will discovered it by accident as he was going through the somewhat tedious routine of copying a text so that he could then paste it into Pleco‘s pasteboard reader. He tried playing the text, and much to his surprise, he could hear the Chinese (whereas in the past, on iOS5, the text-to-speech converter would just skip over all Chinese). In this particular example, after having the Chinese read to him, he didn’t need to look it up after all.
Because a lot of the challenge of Chinese is simply recognizing the characters for the words you already know, text-to-speech can be extremely convenient. Will’s reaction was, “now that I have this feature, I’m going to be using Pleco a lot less now!”
Interesting. Let me know if you think this new feature changes how you learn Chinese on your phone, or if it’s just no big deal to you.
It’s almost National Day holiday in China. That means wacky vacation schedules (it’s not too bad this year, though) and tons of Chinese people traveling. Those of us that have tried traveling within China during the holiday tend not to repeat it too many times (or at least not to really popular tourist destinations).
This year my wife and I are going to make a trip out to Chengdu. Should be fun (as long as the crowds aren’t too overwhelming). We’re going to try time-shifting our holiday a bit (leaving early and coming back in the middle of the holiday) to offset the holiday rush. We’ll see if that works!
Recently I saw this advertisement, which I assume was timed to appeal to would-be National Day travelers:
The text reads:
> There is no starting line. There is no finish line. You set the route! Rent!
Of course, the first thing that went through my mind when I saw that ad was, “you’re never going to find a road like that in China.” It’s not that the “open road” doesn’t exist at all; they’re just way too remote for the average driver setting out for Shanghai, that’s for sure. A Chinese “road trip” tends to feel more like driving in the city than like the “open road.” I’ve been on a few road trips in China, and I can now appreciate why the road trip is a great American tradition and not a Chinese tradition.