“No sugar” or “sugar-free” in Chinese is 无糖. The character 无, in its simplified form (not 無), is not particularly difficult to write. It’s barely more complex than “#.” The character for “sugar,” however, is a different story: 糖. Kind of complex.
So if you’re working in a coffee shop and have to quickly mark coffee cups with a label that means “no sugar,” what are you going to use? Are you going to bother to write 无糖 over and over? Here’s what an employee at Knight Coffee writes:
So “无t” instead of “无糖.” (You can often see similar things going on if you can get a peek at the way that restaurant servers write down food orders by hand.)
Modern Chinese people grow up being equally familiar with the Latin alphabet and Chinese characters. Writing by hand is becoming less and important, and writing characters is sometimes seen as a burden. Typing on a computer can make it easier to type out complex characters (because you’re not actually writing out all the strokes anymore), and yet young Chinese people on the internet are mixing the Latin alphabet into Chinese quite liberally.
It does make you wonder how quickly we’re going to start seeing fundamental changes to the way Chinese people write. All languages change over time, although the written language often resists change much longer. But there’s a new catalyst in the equation this time: the internet.
Long-time readers of this blog know that I’m a fan of creativity centered on characters. I recently discovered these signs browsing photos on WeChat. (I’ll post the Chinese characters below the photos if you want to give yourself the challenge of reading them on your own.)
The characters on the sign above are: 时光机 (“time machine”).
The characters on the two signs above are: 锅炉房 (“boiler room”).
I got a great tip from my friend Will Stevenson yesterday. Apparently iOS6 not only added text-to-speech support for new languages, but also enabled the ability to recognize and read out Chinese, even when the phone is in English language mode, and even when the text is a mix of Chinese and English.
What it is
Here’s an example of “Speak” enabled for a Chinese spam text:
Here’s an example of “Speak” for a note which includes both English and Chinese (I’m not sure why there’s a choice of reading in either 中文 or English; either one does the same thing):
For text messages, iOS treats each SMS text as one big block of text, and it won’t highlight individual words as it reads them (even though it reads them all). For other types of text, though, in apps like the Notes app, it will highlight each character as it reads it out:
[Side note: here’s what the note was about. I took notice of it because it’s a fairly rare example of mixing simplified and traditional Chinese characters in print. It was done to put the 心 (heart) back into the character for love, since the simplified version 爱 quite literally takes the “heart” (心) out of (traditional) “love” (愛).]
How to enable it
Anyway, since you’re likely here to get your iOS6 device speaking Chinese, here’s how you do it.
First, go to Settings > General > Accessibility (Accessibility is near the bottom of all the stuff in “General.” Just a little hard to find. Naturally.)
Right at the top, you’ll see an Accessibility section called “Vision.” There you’ll see an item called “Speak Selection.” Touch on that. On the next screen, turn it ON. You can also turn no “Highlight Words” here too (why not?). You probably don’t want to mess with the speaking rate. It gets way too fast pretty quickly.
Here’s the really cool thing, though. There’s a “Dialects” section. (And no, I’m not going into the “what is a dialect, really? discussion here!) In there, you can not only choose the dialect for English and other languages, but also for Chinese! At the bottom of the “Dialects” section, under 中文, you can choose mainland Mandarin (中国), Cantonese (廣東話), and Taiwanese Mandarin (台灣). Not sure why they chose two regions and a language/dialect/topolect as the choices. But anyway, fun stuff!
What it means
Why does this matter? Well, my friend Will discovered it by accident as he was going through the somewhat tedious routine of copying a text so that he could then paste it into Pleco‘s pasteboard reader. He tried playing the text, and much to his surprise, he could hear the Chinese (whereas in the past, on iOS5, the text-to-speech converter would just skip over all Chinese). In this particular example, after having the Chinese read to him, he didn’t need to look it up after all.
Because a lot of the challenge of Chinese is simply recognizing the characters for the words you already know, text-to-speech can be extremely convenient. Will’s reaction was, “now that I have this feature, I’m going to be using Pleco a lot less now!”
Interesting. Let me know if you think this new feature changes how you learn Chinese on your phone, or if it’s just no big deal to you.
Inevitably, students of Chinese characters will ask, at some point, “why do we have to learn stroke order? What difference does it make?”
It’s a good question. This is the answer:
(The message reads 好无聊. “So bored.”)
This is what Chinese characters start to look like as the strokes flow together. And it’s not just about calligraphy and an appreciation of ancient culture; I discovered the image above through Tencent’s WeChat (the iPhone app).
I’ve heard some good things about a program for school kids called Better Chinese. Like many modern Chinese learning programs, Better Chinese is also on the iPad learning bandwagon. This screenshot from the website features the app:
Yikes! How’d they get a kid from the late 70’s to pose with that iPad, and why didn’t they tell him not to use a pen with that touchscreen?
I’m sure we’ll all figure out how to learn Chinese using these touchscreen tablets sooner or later…
Most Chinese learners have a goal of one day being able to read a Chinese newspaper, or a novel in Chinese. And thanks to better and better tools for learning Chinese, it’s getting easier to work towards that goal progressively. However, even learners who have studied for quite a while report that they still struggle with the “wall of characters” mental block. It’s that irrational, overwhelming feeling (perhaps even a slight sense of panic) we sometimes get when confronted with a whole page of Chinese text: the dreaded “Wall of Characters.”
No doubt, this fear is partly culturally rooted. From childhood, many of us have considered Chinese characters as roughly equivalent with the concept “inscrutable.” At times our brains seem to revert to that primitive, ignorant state where that wall of characters really seems impenetrable.
Nowadays, the “wall of characters” is often online, rather than printed on paper. We have all kinds of tools to help us chip away at the wall. Relative beginners, with the right training, can quickly start blowing holes in that wall, and with a little time and patience, the wall does come crumbling down at the feet of the motivated learner, leaving nothing but glorious meaning in its place. That’s a beautiful thing.
Today, however, I’d like to introduce a tool of a different sort. One that operates on the “primitive and ignorant” level of the “wall of characters.” It’s a “bomb” in a more literal (but digital) sense of the word, a toy called fontBomb.
I’ve found that applying fontBomb to the “wall of characters” is surprisingly satisfying, in the same way that smashing glass can be satisfying, and looks cool to boot. Here’s a video I made (sorry, YouTube only):
FontBomb is easy to use and apply to any page of text. Happy bombing!
A friend of a friend recently opened a restaurant in Shanghai called 斗味.
That’s 斗 as in 斗争 (struggle) or 决斗 (duel), and 味 as in 味道 (scent, taste) or 口味 (flavor).
After dinner the other night, a friend was jokingly telling me that the name could be read 二十味 or 二十口未(口味). Ah, characterplay is always welcome… This particular example reminded me of Lin Danda (a timeless classic in character ambiguity).
斗味 is pretty good, and has very reasonable lunch specials, if you live way out on the west side of Shanghai. (It has a Dianping page, but is too new to have any reviews, apparently.)
In simplified Chinese, 面 can mian either “noodle” or “face.” 面对面 means “face to face,” hence the obvious pun. (Note: in traditional Chinese, the “noodle” character is written 麵.)
The other characters are 重庆, the city of Chongqing.
Big Big Small Small
大大小小 can means “big and small,” and can refer to both “all ages” as well as “all sizes.” Makes sense for a clothing store!
City West Middle School
市西中学 is sort of on the west side of the downtown Shanghai area (near Jing’an Temple, across the street from the AllSet Learning office). It’s one of the best middle schools in Shanghai. (I guess you don’t need a fancy name with obscure characters to be elite.)
The hard-working guys at Skritter have been working on an iPhone app for quite a while. They put up a nice launch page, made a really cool video, and then… proceeded to “keep us in suspense” for a really long time. Well, the wait is finally over! Even though I’ve been helping to test the new app prior to the official release, I waited until I got word from Skritter that the app has been officially approved before writing this review. The app is real!
I’ve mentioned before that I feel the iPad has real potential for Chinese writing practice. I’ve always liked Skritter, but when Skritter first came out, I had already put in my writing time (the old-fashioned way), and I wasn’t really interested in using a mouse or a writing tablet to practice characters. It did strike me as a cool way for a new generation of learners to write, however.
With an iPad, though, it’s different. The iPhone is a little small, in my opinion, when my writing utensils are as big and fat as my fingers. That’s why I’m more excited about Skritter on an iPad than on an iPhone, and I actually tested the app exclusively on my iPad rather than my iPhone. (To be clear, Skritter has only released an iPhone version so far, so I was just running an iPhone app at 2X on my iPad.)
How is it? Although I’m not crazy about every aspect of the design, the app got one thing very right: writing is very smooth. And for this app, writing is the right thing to get right. (I’m pretty sure that makes sense.) They could have invested more into slick iOS interface design, but they chose instead to make the actual writing functionality of the app work really well. Good call.
I’ve only got screenshots here, but the “virtual ink” feels very liquid as you write, like it’s really seeping out of your fingertips. When you hold your finger down and make slower strokes, you can see the extra ink “flowing” out and sinking into the “paper.” I like it.
Here are a few screenshots of me fluidly writing my name (and then the ink fading). Meanwhile the Skritter robot wants none of my narcissistic tomfoolery, and reminds me in blue what I’m supposed to be writing.
Here’s me writing the character 安. (And no, the Skritter robot doesn’t like strokes to be that connected, but hey, it made a cool screenshot.)
Here’s some crazy unacceptable strokes just straight-up exploding, and then a screen for tone recall:
Here’s some word lists and a settings screen:
Finally–and this is a feature that kind of took me by surprise, because I’m a Skritter fan but not a regular user, so I was unaware of this feature before I discovered it–here’s a shot of Skritter’s Pleco integration. When you’re writing a word, you can click on the “info” button on top right, and then click on the Pleco button. That opens up Pleco, with the word already looked up. Pretty sweet! And there’s a button at the bottom of the Pleco screen which can take you right back to Skritter when you’re done.
Bottom line: very cool app. Yes, the free app requires a Skritter subscription to support it, so it’s not the cheapest option for writing practice. (But if you’re such a cheapskate, what are you doing with an iPhone, anyway?)
P.S. It wasn’t until after I had written this review that I bothered to ask Nick of Skritter why the styles in the video and in the app I tested were so different, so only then did I learn that you can change the theme of the app. I gotta say, I like the “Dark Theme” much better. The default theme is a bit of a “Peking Opera Mask” turnoff for me. I’m all for a modern China with modern Chinese.
Here’s the difference between the two:
Apparently a lot of people prefer the traditional “inky” style to the modern “flashy” style. Interesting.
P.P.S. If you’re interested in learning Chinese, though, make sure you’ve learned your pinyin first. AllSet Pinyin for the iPad can help with that.
When I started studying Chinese at the University of Florida in 1998, we were allowed to choose to learn to write either traditional or simplified characters, but once we chose one set, we weren’t allowed to mix them together. Apparently the creator of this sign (spotted on 武夷路 in Shanghai) is not so restricted:
The text (as is):
The text in simplified characters:
The text in traditional characters:
If you carefully examine those characters, they should all make sense except maybe for this one: 仃 (停). It was part of the second round of simplified Chinese characters which was rescinded. (It still remains dear to the hearts of many “no parking” sign makers all over China, however.)
The PS3 game Journey has recently been released to rave reviews. Here’s a little taste of what people are saying from the Escapist:
> It’s not something you can commit to words, really, it’s something you have to feel. Should you choose to play the game – and I really hope you do – your trek through the ruins will be a very personal experience, the impact of which only you will truly understand. It won’t change your life, but it just might change your thoughts about what videogames can accomplish.
The review above is fairly typical. The word “magical” tends to come up a lot in other reviews. Clearly, the game is extremely well designed, and people are duly impressed. But at the heart of the design is a fascinating mashup of Chinese, Islamic, and even Tibetan design elements. I was a bit disappointed that I’ve so far been unable to find any in-depth coverage of the design inspiration for this game. My original impression was something like: aliens + mosques + 8-bit + Chinese characters + Lhasa.
It’s probably the alien glyphs that impressed me the most. They have an 8-bit style, and the (sort of Moroccan?) desert setting guides your mind to the idea of Arabic calligraphy, but the style of the characters themselves tends more toward over-grown Hebrew letters. Each glyph has a clear four-part internal structure to it, though, which feels like a nod to the structure of Chinese characters. Later on in the game, you end up in a temple level, where the glyphs are covering the walls in a neat grid, and it definitely felt like some of the places I’ve been in China.
The game Journey is a rather obvious metaphor for life, but the mix of religious themes is striking too. Mosque elements are blatant in the beginning, and snowy mountain monasteries at the end, but the single culture woven throughout the game is consistent, and there are ongoing themes of meditation and murals of spiritual significance. No “religion” is ever mentioned (in fact, the glyphs and beautiful music are the only “language” that appear in the game), but the intensely personal nature of the quest and the white-clad enlightened ones returning to help the new pilgrims (a game mechanic built into the game’s trophies) feels very Buddhist.
The makers of Journey wanted to do something different with Journey by innovating around the emotional response a game could evoke. In this way, games can appeal to wider audiences, and perhaps even come closer to “art.” But Journey is a worthwhile experience for anyone interested in Middle Eastern or East Asian culture, especially from a design perspective. The writing system alone is worth admiring. If you have access to a PS3, check this game out.
Recently an AllSet Learning client came to me with an interesting problem: he was seeing strange, slightly “off” variations of characters in his ChinesePod lesson, “Adjusting the Temperature.” Once upon a time I studied Japanese, so I could recognize the characters he was seeing as Japanese variants:
What he saw:
What he expected to see:
[If you really care about the tiny discrepancy, you may need to click through and enlarge the screenshot to see the difference. I’m not going to focus on including text here, because that’s exactly the nature of the problem: the text is subject to change based on your system’s font availability.]
The really strange thing was that he was experiencing the exact same issue on both his 2010 MacBook and on his iPad 2. In troubleshooting this problem, I discovered that my client was running both an older version of iOS (4.x) as well as an older version of Mac OS (Leopard). I was experiencing neither on my 2008 MacBook (running Snow Leopard) or on my iPad 2 (iOS 5.x). But his system had all the required fonts, and switching browsers from Safari to others did nothing to solve the problem. So I concluded it was simply a system configuration problem.
Fixing the issue on the iPad
Here’s the fix. On the iPad, go into Settings > General > International (you might need to scroll down for that last one). You might see something like this:
Note that in the order pictured above, Japanese (日本語) is above simplified Chinese (简体中文) in the list. This is crucial! That means that if English fonts are not found for the characters on a given page, the system is going to match characters to Japanese fonts next.
So to fix this issue, Chinese should be above Japanese. The thing is, there’s no obvious way to change the order. The only way I found to do it is to switch the system language to Chinese, then switch back to English. [Warning: your entire iOS system interface will switch to Chinese when you do this; make sure you can read the Chinese, or you know where the menu position for this settings page is before you switch!]
Switching to Chinese makes the Chinese jump to the top of the list, then switching back to English makes English jump back above that, leaving Japanese below Chinese.
You should see something like this when you’re done:
Fixing the issue on Mac OS X
The exact some issue applies to Mac OS X system preferences. Go to: System Preferences… > Language & Text > Language.
This time, though, there’s an easier way to rearrange the order. Simply click and drag:
Notice the little message on the right about when the changes will take effect.
Does this really matter?
In the grand scheme of things, not really. It’s actually good to have some tolerance for font variations. But the detail-oriented may find this particular issue quite maddening. It’s good to have a simple way to fix it.
So why didn’t I have the issue, and he did? Well, I had at some point tried switching the system language to Chinese, on both my MacBook and on my iPad, but I later switched them back to English. So without even trying to, I had taught my system to prefer Chinese over Japanese. The problem appears when English is the only language ever used, and the system doesn’t know what to give preference to. In my client’s case, you would think that adding a Chinese input method might clue in the system, but apparently Apple isn’t quite that on the ball yet.
Nicki Minaj has one of the more interesting Chinese tattoos out there. It’s not particularly pretty (it was clearly not the ink work of a Chinese calligrapher!), but the traditional characters are correctmostly correct and legible. The tattoo:
It means “God is with you.”
The tattoo uses traditional Chinese characters:
Here’s the simplified character version (it only differs by one character):
> Shàngdì yǔ nǐ cháng zài
The grammar, though, seems a little strange to me. The sentence I’m used to hearing (at Catholic churches in China) is:
同在 is just a fancy way to say “to be with.” So what’s up with 常在? You’re probably used to 常 taking on the meaning of “often,” “frequent,” or “usually,” as in 常常, 经常, 通常, 平常, etc. “God is usually with you” certainly doesn’t seem like the most confidence-insiring blessing.
Here, though, 常 is used more to refer to a “normal,” unchanging, continuous state. So although neither this sentence nor the Catholic version is everyday Chinese, they both make sense.
When I asked my wife for her impressions on Nicki Minaj’s tattoo, she made the following comments:
– Those characters look like they were written by a poorly-educated elementary school student.
– She should have chosen simplified characters; less ink is less pain.
– Foreigners’ Chinese character tattoos are like our stupid English t-shirts. But at least we can take off the t-shirts whenever we want.
A while back when I wrote my Learning to Write Chinese Characters on the iPad post, I reviewed an iPad app called Word Tracer. Word Tracer is going strong, and now comes in both iPad and iPhone flavors. In addition, the developer has added some additional functionality to the app in a recent update, allowing for Chinese writing practice that isn’t strictly “tracing.”
Anyway, to thank me for the review, the developer has offered me a number of free copies of the app (iPad or iPhone) to distribute to Sinosplice readers. If you’re interested in getting a free copy of this app, simply leave a comment here (with your real email) or send me an email explaining why you think that the iPad (or iPhone) makes the most sense to you as a way to practice writing Chinese. I’ll award the best ones in the first 48 hours with a free copy of Word Tracer. (Be serious in your replies; I’m very interested in learning something from this!)
Update: Thanks to all of you who commented and emailed me! The response was really pretty good, and I regret that there are too many of you for everyone to get a free copy of the app. I do appreciate the responses, though, and those selected will receive an email shortly. I’m closing comments on this blog post now.
One of the reasons I rushed to get an iPad for my own company is that the iPad is the leading tablet computer device, and tablet computers, with their relatively large touch-driven screens, seem uniquely poised to offer a great learning experience for a new generation of learners. Now that the iPad has been out for a year, developers have had some time to dig into iOS and create some cool apps for learning to write Chinese characters.
The only problem is that they haven’t yet. It’s not that they haven’t done anything, it’s just that no major player with a lot of resources has put a lot of effort into creating a superior app just for teaching writing. Significant effort has gone into Pleco‘s iOS handwriting recognition and OCR function, but neither of these teaches writing.
Before I go into my reviews of the handful of Chinese writing apps I found, I should first pose a question: what should an app that teaches Chinese characters do? This is a question that at times seems neglected by app creators. It’s easier to focus on what can be done with an app, rather than what needs to be done for real learning.
To effectively teach the writing of Chinese characters in a comprehensive way, an app would need to do the following:
1. Introduce the basic strokes, emphasizing the direction in which each is written and the shape of each.
2. Introduce the building blocks of Chinese characters, calling attention to how they function is a part of a whole.
3. Introduce the various structural types exhibited by Chinese characters, and the order in which characters’ various component parts should be written.
4. Introduce new characters in a progressive way, building on what has come before, while still trying to stick to useful characters as much as possible.
5. Provide practice writing the characters and give feedback.
This issue goes way beyond the scope of this blog post, but the point is that most of the apps out there now stick mainly to #5. Because most of the apps are largely about practicing writing, I’m going to talk mostly about the concepts of tracing and feedback. Now onto the reviews…
Yes, a green star tells you where to start writing when you go off track. You’re not allowed to write incorrect strokes.
No; tracing only
Word Tracer is a very polished app. It’s attractive and was clearly crafted with care. The issue of stroke direction takes center stage in this app, as a star in a green circle tells you where to start, and a series of numbers in little circles show you which way to make the strokes.
While the app is not a course in characters (which would need to go through numbers 1-4 I outlined above), it does offer a nice collection of characters to choose from, ranging from a frequency list to common phrases. I missed this feature at first, and it definitely adds a lot.
Overall, the app shows a lot of attention to detail. It wasn’t created to be a writing course, so it’s mainly a polished “writing practice app,” and its name very clearly states what this app is all about: tracing. It can’t help you with recalling characters without any prompt and writing them out.
On the plus side, I actually met with the main developer in Shanghai, and he seems quite open to suggestions for improvement, and has plans to make the app better. (Full disclosure: the developer let me try out this app for free.)
If you’ve already learned how to write characters and are looking for a mechanical way to practice writing on your iPad, this app is not a bad choice.
Yes, a big red “X” tells you when you make a mistake but gives you no immediate clue where you went wrong. You’re not allowed to write incorrect strokes.
No; tracing only
I really like that this app tries to be a game. It’s not the most fun game in the world, but I’ve seen more than one learner really get into it. The timed aspect also adds another dimension which makes the “trace the strokes” mechanic a bit less monotonous (at least for a while). I also like the options in the beginning (although that screen with its crazy animated background is a little busy).
The way the game works is that characters slowly drop for the top of the screen. You tap them once to zoom in, then quickly trace over them to “destroy” them. That’s it. If you can write a character especially fast, you are praised with a “很快” (“very fast”). If you’re too slow or keep getting the strokes wrong, the character eventually drops off the bottom of the screen, and that’s one strike against you.
One of the best things about the app is that at the end, after you’ve gotten your 5 wrong characters and the game is over, the game shows you which characters you got right and which you got wrong, and then you can review the correct stroke order for the ones you got wrong. The app is never especially clear about the direction of strokes, however.
In the end, it’s tracing only, and the characters are chosen at random. The app is solid, though, and it’s free. Not bad for basic mechanical writing practice.
Price: Free (tutorial only; additional account required for other functionality)
Yes, the correct stroke flashes on the screen when you make a mistake. You’re not allowed to write incorrect strokes.
Chinese Writer sets itself apart in that it is not a tracing app. It’s slightly confusing at first, because (1) the app button is labeled “ChinesePad,” and (2) it seems like you have to sign up for a Popup Chinese account to use the app, since neither the simplified or traditional “practice mode” seem to do anything. Apparently only the “tutorial mode” is available if you don’t have a subscription (that button works).
As you write each stroke, the app shows your stroke in red, but it doesn’t actually save it on the screen; it either accepts it as “correct” and replaces it with a print-style version of the stroke, or it rejects it and erases it, flashing the correct stroke in the correct place to prompt you.
In theory, the app is fine, sort of a simpler version of the Skritter system. It can be confusing, though, rejecting seemingly perfect strokes, and rejecting quite imperfect ones.
The app is free, and will be updated in time, according to Dave Lancashire, the developer. When asked if it will stay free, his reply was, “I can’t see changing the price, although you should tell people it will be $99.99 next week so GET IT NOW!”
No automated feedback, just a layer of numbers to indicate where strokes should start
Chinagram is not free and contains a very limited number of characters, but in many ways, it’s my favorite of these apps. While it doesn’t teach strokes or radicals, it does show the evolution of the characters through various scripts over time, and offers graphics to help clarify the pictographic characters.
I also like how the app offers very free-form writing practice. There’s no computer program to tell you you’re right or wrong. There’s simply a faint guide which can be switched on or off, and some little guide numbers to help with stroke order, which are not tied to the tracing guide, and can also be independently turned on or off. This simple combination of options makes for a quite satisfying range of writing practice possibilities.
With Chinagram, it does kind of feel like you’re paying for design and pretty graphics, but let’s face it: characters are graphic. Chinagram offers an attractive and appealing, although somewhat limited, introduction to the writing of Chinese characters. I’d still want more instruction on how to write characters than this app offers, but it definitely goes farther than the three above.
Indirectly, because if you’re too far off in your stroke order, the character you’re trying to write won’t appear
One of the things that struck me while reviewing these iPad apps is that (1) many of them assume some previous study of characters, and (2) if you’ve previously studied characters, there’s probably nothing better than just writing. And the iPad let’s you do that out of the box. All you need to do is enable Chinese handwriting input:
Once you’ve got that working, go into the “Notes” app (or anything that lets you write text, really), and just try to write something. You’ll learn a lot just by the act of writing the characters stroke by stroke, and identifying the one you want from the resulting list of characters. If you get a character totally wrong, chances are, it won’t be in the list. Try again.
(In the example above on the right, the correct character “写” meaning “to write” is written in a way that is clearly recognizable, but does not appear in the list of resulting characters because the stroke order/direction used was totally wrong.)
This really is not a bad option for practicing writing, especially if you have someone you can write to.
My conclusion: these apps are worth checking out, but better writing apps for Chinese are still needed!
I have a student intern at AllSet named Lucas, who kindly gave me his own feedback on the four apps above. Lucas has studied Chinese for three years in college, and is currently studying Chinese in Shanghai for the summer. I asked him to rank the four apps, and make some comments about each. Here are his independent picks, #1 being his favorite:
1. Chinesegram: “Seeing the picture and comparing the scripts and evolution helps me remember them better.”
2. Word Tracer: “Helpful for learning stroke order, but a bit over-sensitive, which can be frustrating.”
Recently I just happened to catch this wordplay on the streets of Shanghai around me:
年轻就是不一YOUNG / 不一样. (After reading this pun, go here.)
最高G密 / 最高机密 (“top secret”); G = 鸡 = chicken. 鸡米 is a name for little chicken nuggets (often fried).
新视界 / 新世界
Not a pun; just illustrating that 新世界 is a common phrase too. This hotel is just around the corner from the eye hospital above.
碧云公寓 (traditional characters are used in the photo): not a pun either; this just amused me because we foreigners have a habit of mixing up our tones. This apartment complex could easily become “Contraception Apartment” (避孕公寓) pronounced by a careless foreigner.
I recently had the opportunity to try out Chinagram, a new iPad app which introduces Chinese characters. There aren’t many Chinese-learning apps out there specifically for the iPad, so I decided to review this one.
My first impression of the app is that it is beautifully made. I guess that’s Italian design for you. The overall aesthetic is nice, and there are lots of little touches that make the app fun to use. Don’t miss the “History of Chinese Writing” section. While the information it contains is not something you can’t find on Wikipedia and many other sites, it’s definitely presented here in a way that’s enjoyable to browse. I especially liked the foreground/background faux-3D effect you get when you swipe to a new page.
After my playing with the app a little bit, the key question in my mind was, who is this app for? Is it for an advanced student? An intermediate student? A beginner? Or maybe just a casual student of Chinese? My conclusion, unsurprisingly, is that it’s for the casual student of Chinese. Sure, a beginner can get some use out of it, but since the app only covers 120+ characters, the serious student won’t be using this one for long. The strength of the app, perhaps, is its treatment of the evolution of the characters it contains. The graphics it contains go further than Wenlin, but certainly not ChineseEtymology.org (which is free). And Wenlin costs a lot more, while ChineseEtymology.org actually has an iPhone app now.
There aren’t yet many Chinese learning apps created for the iPad. Chinagram has got to be the most attractive one currently in the app store, and while it’s still $1.99 it’s a good deal for the beginner or casual learner.