I haven’t noticed any online English language mentions of Shanghai comedian Zhou Libo (周立波) yet, but he clearly deserves a bit more attention. His DVD, 笑侃三十年, has been selling like hotcakes in DVD shops across Shanghai for weeks, and I hear his upcoming live performances are selling out.
You could say his act is “comedy with Shanghainese characteristics” because 笑侃三十年 is Zhou’s humorous take on the changes Shanghai has experienced in the past 30 years. For many Shanghainese, the act is equal parts nostalgia and comedy. (Well, maybe not equal… my wife was laughing so hard she was crying at certain parts, and she’s not old enough to be nostalgic about everything he was talking about. Her parents loved the act too, though.)
Of course, the most obvious “Shanghainese characteristic” of Zhou’s act is the language it’s delivered in. Being mostly in Shanghainese, Zhou Libo’s humor remains somewhat inaccessible to both foreigners and most Chinese alike. Sure, there are video clips online with Chinese subtitles, but when he starts with the Shanghainese wordplay, subtitles are of little use.
Chinese media comentator David Moser has lamented the death of xiangsheng as an art form in China. So what’s filling the void? To me, one of the most interesting aspects of the Zhou Libo phenomenon is that he seems to be a part of a larger development: as two-man “Chinese stand-up” xiangsheng is waning, a new brand of home-grown Chinese solo stand-up comedy may be emerging. Furthermore, it seems to be happening through quirky regional acts like Xiao Shenyang from northeast China (the act linked to can only be described as stand-up comedy), and Zhou Libo, whose act is so “regional” that it can only be directly appreciated by the Shanghainese.
I’m certainly no expert on stand-up comedy, but I’m interested in seeing where this is going. Perhaps sites like Danwei will do some more in-depth reporting on the phenomenon, even if a Shanghainese act is of little interest to Beijingers.