But what’s perhaps most interesting (infuriating?) about this ad is the way that this text is read…
First down the left column, then down the right (广告, 招商)
Then left to right across the top, then left to right across the bottom (虚位, 以待)
Have you ever noticed how hard it can be to figure out how to interpret 4 characters in a 2×2 grid? If you don’t already know the phrases used, this kind of text layout is super hard to read. That’s because there are three possible ways to read the 4 characters:
Left to right, across the top (modern horizontal)
Top to bottom, left to right (modern vertical)
Top to bottom, right to left (classical vertical)
This example is particularly egregious, though, since it mixes two orientations, and the phrase “广告招商” could also be understood as “招商广告”.
P.S. This ad wouldn’t work in traditional Chinese, because 广 (guǎng) in traditional is 廣 (guǎng). No big loss, though!
This an old poster I never got around to posting before:
What makes the movie title unique is that it incorporates Cyrillic letters into its Chinese characters. I’d never seen this kind of thing before, so I liked it. I’m no expert on Russian, but I can recognize Д and Э in there!
Anyway, the movie is called 囧妈 in Chinese, Lost in Russia in English. It’s part of a “Jiong series” of comedies which I won’t go into but are easy to find.
There’s a Chinese women’s clothing brand called NEIWAI (内外), literally, “inside-outside,” and it has one of the cleverest examples of characterplay that I’ve seen in a while [image source]:
It might take a few seconds to get, but what you’re seeing is the character 内 on the left, slightly modified so that the character 外 on the right overlaps it on its left side.
Here’s an unstylized version of the overlap that’s going on in the logo:
So, at the risk of pointing out the obvious, you have “outside” both inside and outside “inside.” Meanwhile, “inside” is also both inside and outside “outside.”
This ad is hanging in Shanghai’s “Cloud 9” (龙之梦) shopping mall:
First of all the repeating character is 鹅, which means “goose.” In the circular logo, you can see a little characterplay going on with the goose head.
Above that, you have “鹅，鹅，鹅” which, of course, reads “goose, goose, goose.” This is a famous first line of a classical Chinese poem. It’s famous because it’s so simple, so a lot of kids memorize it as one of their first (if not the first) classical poems committed to memory.
The word is 扣子, meaning “button” (the kind you sew onto clothing). In Chinese, the kind of button you press is a totally different word, and even has the verb for “to press” as the first character: 按钮. (When you think about it, it seems kind of dumb that we use “button” for both of those things in English. Sure, you can say “push-button” in English, but it still feels to me like whoever decided to use the word “button” for the new kind that you press wasn’t super bright…)
The name of the service is 盟盟 (and apparently all the good domain names have been taken for that one). You can see how the “盟” character blends nicely into the drawing of the ship.
But no, the brand has nothing to do with ships or cruises or whatever… So while the characterplay looks like it kind of works, the picture really has nothing to do with what 盟盟 is all about: franchising (加盟) other brands.
It might be hard to make out the characters used in this furniture store’s ad:
They are: 生活现场. 生活现场 is a phrase that’s not easy to translate… if you ask a native speaker what it means, they’ll have trouble answering you without a context. It’s something like “scenes of daily life.” The characterplay kind of works, I guess… I like the 场 the best. The 生 is not impressive.
Anyway, the ad is for 美好家 (MEHOS), a furniture store in Shanghai.
While perhaps not the cleverest characterplay, I like this treatment of the character 城, which means “city” (as in 城市), or sometimes “wall” (as in 长城). The phrase 不夜城 (literally, “not night city”) is similar to “the city that never sleeps.”
The text is:
龍之梦购物公园 新食代 不夜城 千人自助餐盛宴
Note: The way that “Cloud Nine Mall” (龍之梦) is written breaks the “golden rule” that I learned in Chinese 101: Either write entirely in simplified characters or write entirely in traditional characters. Never mix the two. The simplified dragon character 龙 is written using the traditional 龍. “食代” is a pun on 时代.
I was in Gulangyu (鼓浪屿), Xiamen (厦门) again over the CNY break, and I noticed some interesting designs using characters:
This one is a cafe/bar called 东西, which, aside from meaning “thing” or “stuff,” also literally means “east-west.” The fusion is looking pretty intimate in this design.
These three characters (not the two small ones at bottom right) are quite cryptic on this sign! Here’s how the same name is written in another place:
The name is 那些年 (“Those Years”). Can you see those three characters in the previous sign?
Finally, a very simple characterplay on the character 信:
“I see” is a children’s dance studio in Shanghai. Here’s the logo:
Can you read the Chinese name? Hint: the first character is not just 火. (It’ll be much easier if you’re already familiar with the Chinese names of some popular fairytales. Or even if you’re familiar with the Chinese names of Disney animated classics.)
In this case, we’re dealing with the name 灰姑娘, literally, “ashes girl,” which is the Chinese name for “Cinderella.”
Confession time! I think it wasn’t until I learned the Chinese name for Cinderella that I even realized that the “Cinder” part of “Cinderella” was a reference to ashes rather than being kind of like a cross between “Cindy” and “Stella” with a random “er” thrown in for style.
According to Wikipedia, the “cinder” part “has to do with the fact that servants… were usually soiled with ash at that time, because of their cleaning work and also because they had to live in cold basements so they usually tried to get warm by sitting close to the fireplace.”
Anyway, it might be easy to miss that the dancer in the logo next to the 火 character is part of the larger character 灰.
I found this sign interesting, both for the characterplay with the 南, as well as for the interesting font design (which, unfortunately, also makes it a bit harder for learners to read):
The top reads 江南 (Jiangnan), which is the Chinese equivalent of “Gangnam” (yes, as in “Style”).
The bottom hard-to-read part says 偶巴尔坛, a transliteration of the Korean word “Obaltan” (오발탄), which apparently is the best Korean movie ever made? (I’m a bit out of my depth on this one.) Anyway, don’t feel bad for not knowing what 偶巴尔坛 is as a Chinese learner!
My love of characterplay aside, “and” has to be one of the worst English product names I’ve ever seen. It’s a faithful translation of its Chinese product name, 和 (meaning “and”), but that doesn’t make it any better.
Chinese New Year is just around the corner, and I bring you this pun/characterplay combo. Unfortunately, neither is particularly clever, but at least it’s not hard to understand!
The large text of the ad reads:
新年好呀
This basically just means “happy New Year,” but the 呀 on the end is a modal particle you hear a lot in Shanghai. It adds a tone of playfulness, possibly childishness.
The pun is on 好牙, which refers to “good teeth.” (The two-character word for “tooth” or “teeth” is 牙齿). And since it’s an ad for dental services, the pun on good teeth is quite appropriate.
But do you see where the 口 component of 呀 (the modal particle) is actually a tooth? That’s the characterplay aspect. But the weird thing is that if you take away the 口, what’s left actually does literally mean “tooth.”
This image has been on posters all around Shanghai’s Jing’an District this past summer:
Each character is related to traffic:
让: yield
车: car
慢: slow
停: stop
Actually, each character is merely “decorated” in the traffic theme. It’s not true “characterplay” in the sense that characters are constructed or represented in some non-standard way for artistic effect. I’ll take it, though!
How do you turn a forest into a grave? Check out this innovative ad I spotted on the Shanghai Metro:
The (altered) character is 森, meaning “forest.” The text below it reads:
如果没有了树，森林将变成坟墓
In English:
If the trees all disappear, forests will turn into graves.
To understand the message, you have to know that the character 森, meaning “forest,” is made up of three 木, which each mean “tree.” And 木 does indeed look like a little cross when you take away the two diagonal strokes.
Part of what makes this interesting to me is that crosses are, of course, not a feature of Chinese graveyards at all. Here’s a picture of a Chinese cemetary:
Still, innovative ad that drives the point home. Well done.
The character there is 家, meaning “house,” “home,” or sometimes even “family.”
The first thing I noticed was its Escher-like quality, updated to a modern aesthetic. (Reminded me of Monument Valley even more than Escher directly, actually.) Very cool, and not something I see much in China, for sure!
The second thing I noticed was that the stylized character on the poster is missing a few strokes. If this character is 家, then the bottom part is supposed to be 豕, which has 7 strokes. Instead, the bottom part looks more like the 5-stroke 永, minus the top stroke.
I found this odd, because this is a pretty big difference, and in my experience the Chinese don’t take character mutilation too lightly, especially when it’s not just private use. My wife’s response was just to shrug it off, though, with a, “yeah, but it’s still supposed to be 家.”
What do your Chinese friends think? Cool design, or heinous affront to the sanctity of the 10 strokes of the Chinese character 家?
This is the logo for a service called 点点啥 (Dian Dian Sha):
So this is the Chinese verb点 (meaning “to order (food)”), reduplicated. The word 啥 is a colloquial way to say 什么 (“what”), used more in northern China.
Nice characterplay here, the second 点 replaced by the service bell, while the first 点 is modified a bit to look more like the bell.
One thing beginners might not know is that the character component consisting of four short diagonal lines (as in 点) is frequently written as a single horizontal line. You can actually see this in some PRC character simplifications:
魚 → 鱼
馬 → 马
Obviously, it’s not applied across the board, leaving us with characters like 点, 热, and 煮, which still use the four short diagonal lines in printed form. In handwritten forms (or certain fonts), even those four short lines frequently get turned into a horizontal line (usually kinda squiggly).
点点啥 (Dian Dian Sha) has an app aimed at reduced food-related wait times.
